JB : Now you seem to be very active again. Are there any differences in your approach to networking between your activity in the '80s and '90s and now?
RJ : The differences in approach and activity lies mostly in the intergration of Internet in our daily life. The snail-mail is still slow but essential to the mail-art network. It seems the mail-artists that were so against the Internet gradually saw that they can use the new communication-tools to their advantage. A lot of old-times joined in on the IUOMA platform (see: http://iuoma-network.ning.com/ ) that I started only a year ago (on November 13th 2008). Soon it will exist only one year and already it has 710+ members online. Also newcomers that through Internet discover the mail-art network and love the idea of exchanging art from artist to artist. The essence of networking has not really changed. Only projects can be done on different communication-platforms as well. Paper documentations are replaced by digital websites. Magazines are replaced by blogs with more participants. Even my old TAM-Bulletin (with news about mail-art projets that circulated in the 80-ies and 90-ies) is replaced by a blog with mail-art projects (see: http://mailartprojects.blogspot.com/ ) where 96 authors write and publish the mail-art projects. It has 60+ visits each days and distributes the mail-art projects information with only one click worldwide.
Showing posts with label Network. Show all posts
Showing posts with label Network. Show all posts
Friday, October 30, 2009
Johnny Boy : Did you withdrew from the network?
JB : In the late 1990s, when I first joined the mail art network, you gradually withdrew from it, only keeping in touch with a handful of close friends. Why did you do that? Did the diatribe surrounding the Faker play a role in this?
RJ : I didn’t withdrew quite like that. I stayed active with quite a few, but the Internet and the Fluxus Heidelberg Center took a lot of our time and energy too. Not sure what you mean with ‘the Faker’and what aspect you asking here about. For most people who will read this they have no idea of what you are talking about. New borders within mail-art were being researched and found. Actually the Mail-Art Interview project was going on since 1996 and that meant I was focusing on that 80+ mail-artists that I interviewed. So in these late 90-ies I was quite active but with a smaller and selective group. Those were the most hectic times and I published ten thousands of booklets which were distributed too. Sending less mail-art only came about in the beginning of this new century. Also because of my moving to Breda, new Job, Marriage, just to name a few major changes in my life.
RJ : I didn’t withdrew quite like that. I stayed active with quite a few, but the Internet and the Fluxus Heidelberg Center took a lot of our time and energy too. Not sure what you mean with ‘the Faker’and what aspect you asking here about. For most people who will read this they have no idea of what you are talking about. New borders within mail-art were being researched and found. Actually the Mail-Art Interview project was going on since 1996 and that meant I was focusing on that 80+ mail-artists that I interviewed. So in these late 90-ies I was quite active but with a smaller and selective group. Those were the most hectic times and I published ten thousands of booklets which were distributed too. Sending less mail-art only came about in the beginning of this new century. Also because of my moving to Breda, new Job, Marriage, just to name a few major changes in my life.
Subscribe to:
Posts (Atom)
