Saturday, April 25, 2009

Luciana Tamas: how do you think the literature and art will look like in the following 30 years ?

LT : I don't say that the Internet would be new or old - I know its history; and I don't talk here about the reason it was built for (anyhow, there are enough examples in the history, in which a certain discovery was used in other purposes than the initial ones; the first people had used the fire to warm themselves and to cook their food - their successors, behold, use the fire to melt the metal to transform it, let's say, in tanks; this would be only one example). I was only suggesting that the Internet's evolution brought us in the situation in which a personality like Paul Virilio warns us that we are the first civilisation which has set to work the absolute speed and that the techniques of instant communication give us the possibility (a less desireble one!) to be able to annihilate ourselves as civilisation. Virilio even speaks about the informational bomb and says that our generation would be "the generation of the informational bomb explosion". You say that the Internet has brought only the speed-element. But the acceleration of the information flow, said again Virilio, brought to an acceleration of forgetfulness ("Industralization of forgetfulness", said the philosopher - I hope I have translated the quotations correctly).So, the projects which lasted years, also lasted years in the memory. The same projects, made in some minutes also last in the memory quite less, and this because during a day we have the possibility to achieve, let's say, five or more projects. And because we aren't all Kim Peek, the risk to forget is quite big. Anyhow, I am interested of the mutations these changes produce in art and literature. These mutations determined me to think an opened movement I called gAsPexT. The artistical movements have their tabus. In gAsPexT there aren't limits and it is an invitation to creativity. But, to return, the mutations I talked about mean that we are dealing with a new specie of poets and artists. I have read somewhere that, from the Japanese scientists' point of view, for the year 2040 there cannot be made any assessments. Yet, because you are a poet, too (and it is known that the poets have a special anticipation power), I invite you to make an assessment: how do you think the literature and art will look like in the following 30 years ?
I would also be interested in the impact you think the apparition of this new "specie" of writers/artists will have on the ones who love literature /art (at such creators, how should the receivers look like ?). And which do you think the role of the specialty critic will be in the new equation ?


RJ : This is a question that probably is interesting for you. The answer is pure speculation since small events in the world can cause large changes. What is the value of a prediction? The art I produce is changing as my life changes. Human Beings like to reproduce what they see. We even think that repetition is what makes the world go on. The small hidden changes are so effective though that in only a few years we see the movement towards a new direction. I like to focus on these essential changes. The factor time is one of them. The Information-bomb you (or rather Paul Virilio) mentioned is not the problem. Computers can store so much information, nowadays more a single person van handle. How does one deal with not knowing all? New generations don't read information, they globally scan information. A new attitude towards information that makes it easier for them to deal with so many sources the Internet offers.

1 comment:

Luciana said...

I understand. Let's return: please tell us about the new TAM-Publications projects and about I.U.O.M.A.